Choice ID Image Painting (From A to Z) Details
62502
Brunhilde Observing Gunther
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
71063
cauchemar
mk289 1781 detroit the detroit lnstiute of arts
43943
Dante and Virgil on the Ice of Kocythos
390 x 274 mm
91469
Die Einsamkeit bei Tagesanbruch
1794-1796
Medium oil on canvas
Dimensions Deutsch: 95 x 102 cm
cjr
89245
Die Sunde, vom Tod verfolgt
1794-1796
Medium oil on canvas
Dimensions Deutsch: 119 x 132 cm
cjr
44114
Ezzelin and Meduna
1779
Oil on canvas,
45,7 x 50,8 cm
83417
Fairy Mab
1815-1820
Medium Oil on canvas
Dimensions Deutsch: 70 x 90 cm
cyf
94426
Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer
1778-1781
Medium oil on canvas
Dimensions Deutsch: 163 x 150 cm
cjr
94428
Kriemhild zeigt Gunther im Gefangnis den Nibelungenring
50 x 38,4 cm
1807
cjr
80605
Lady Macbeth receives the daggers
Date 1812(1812)
Medium oil on canvas
Dimensions 101.6 x 127 cm
52497
Lady Macbeth with the Daggers
1812 Oil on canvas, 101,6 x 127 cm
66526
Liegende Nackte und Klavierspielerin
71 ?? 99 cm (27.95 ?? 38.98 in)
1799-1800
70900
Liegende Nackte und Klavierspielerin
1799-1800
Oil on canvas
71 x 99 cm (27.95 x 38.98 in)
71909
Liegende Nackte und Klavierspielerin
Date 1799-1800
Dimensions 71 x 99 cm
70853
Nachtmahr
Medium Oil on canvas
Dimensions 101,6 x 127 cm
62845
Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
94427
Reiter von Riesenschlange uberfallen
39 x 31,5 cm
c. 1800
cjr
52492
Silence
1799-1801 Oil on canvas, 63,5 x 51,5 cm
74235
Sleep and Death carrying away Sarpedon of Lycia
Date 1803
Medium Oil on canvas
Dimensions Deutsch: 91,4 X 71 cm
cyf
62501
The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
80377
The Awakening of the Fairy Queen Titania
Date 1775-1790
Medium Oil on canvas
Dimensions Deutsch: 222 x 280 cm
cjr
84626
The Awakening of the Fairy Queen Titania
1775-1790
Medium Oil on canvas
Dimensions Deutsch: 222 x 280 cm
cyf
40607
The Nightmare
mk156
1781
Oil on canvas
101.6x127cm
66529
The Nightmare
Oil on canvas
101,6 ?? 127 cm
1781
52491
The Shepherd's Dream
1793 Oil on canvas, 154,5 x 215,5 cm
44115
The Shepherd-s Dream
1793
Oil on canvas,
154,5 x 215,5 cm
91388
Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti
1783(1783)
Medium oil on canvas
Dimensions 276 x 317 cm (108.7 x 124.8 in)
cyf
70817
Titania is leevtallig met Bottom met de daare Eselkopp
Medium Oil on canvas
Dimensions 169 x 135 cm
66528
Titania liebkost den eselkopfigen Bottom
1793/1794
169 ?? 135 cm (66.54 ?? 53.15 in)
Oil on canvas
